A few notes. I have been to Down Home Music a number of times, though I think I've only purchased records there on a couple of occasions, and one of those times I returned it for a refund as it was an electronically enhanced stereo version of a monaural LP. The other time I purchased a Lightning Hopkins album on Arhoolie Records label, and I remember it being quite terrible.
Chris Strachwitz is, as the article points out, a folklorist who records and preserves folklore. He hasn't been a commercial record producer, as my Lightning Hopkins LP clearly demonstrated. He caught up with Lightning in Houston some years after the bluesman's commercial successes, when he was a down and out alcoholic (as far as I know.) And so, a commercial blues artist on the way down became a folkloric curiosity, which points to certain paradoxes of Strachwitz' work. (There is no avoiding commercialism of popular music, for one.)
I believe that his (Strachwitz') best work as a record producer showed in the recordings and popularization of Clifton Chenier, the self-styled King of Zydeco. He's also preserved some Mexican folk music from Texas, as well as polka bands from the same state, which at one time had large centers of Polish, Czech and German immigrant communities.
Another reason why I seldom bought records at Down Home Music, is that they've always sold them at the highly inflated suggested list prices, that no other record store in the area would set.
Strachwitz, who, the article points out, has never been interested in making a fortune, and lost money on many releases, hit pay dirt a few years ago when country artist Alan Jackson recorded a song and issued it as a single, to which Strachwitz held rights, Mercury Blues, by an obscure blues artist K.C. Douglas. Then, even better, Ford Motor Company picked up the song (Mercury was in the song a minor and nearly forgotten Ford automobile brand), and used it for television and radio commercials, not for Mercury cars, but for Ford trucks. It was a fine rocking record (Jackson's). Here are some lyrics:
Well if I had moneyIn any event, Chris Strachwitz is an admirable figure, a man, who, as the article emphasizes, has been able to live and work the life he chose without compromises. And in the music business that is extremely rare.
Tell you what I'd do
I'd go downtown and buy a Mercury or two
Crazy bout a Mercury
Lord I'm crazy 'bout a Mercury
I'm gonna buy me a Mercury
And cruise it up and down the road
Well the girl I love
I stole her from a friend
He got lucky, stole her back again
She heard he had a Mercury
Lord she's crazy bout a Mercury
I'm gonna buy me a Mercury
And cruise it up and down the road